Stanislavsky biography is brief

Stanislavsky and V. This artist became a revolutionary in the field of stage performances, not afraid to break the centuries-old stereotypes, experiment, turn to the works of modern nomads-innovatives. Childhood and youth biography of Konstantin Sergeyevich Alekseev Stanislavsky - this is the pseudonym that the actor took in the year began in Moscow on January 17 of the year.

The Konstantin family possessed the house near the Red Gate, and none of the relatives, except for her mother’s grandmother, had nothing to do with the theater. Grandmother Marie Varley in her youth shone on Parisian stages in the role of a tragic actress. One actor’s grandfather was a Moscow merchant, the other owned a factory for the manufacture of the skaters.

The family business has inherited to his father - Sergey Vladimirovich Alekseev. The next successor of the dynasty was to be Konstantin Sergeyevich. In addition to Constantine, the family had 9 more children. Parents devoted a lot of time to the education and education of offspring: coming teachers in music, dancing, literature, foreign languages, literature were engaged in the heirs.

In the fashion of that era, the Alekseevs arranged an amateur theater. Performances, in which professional actors often participated, friends of the house, were held for a narrow circle of close relatives and guests. In the summer, society moved to Lyubimovka on the Klyazma River, where a home theater was also arranged, called Alekseevsky. For the first time, Little Kostya appeared in one of the family performances at 4 years old, then such performances became constant.

The boy, being naturally rickets and weak, showed remarkable talent in acting that his parents encouraged in every possible way, but only as a hobby. The real “solid” profession awaited Konstantin at his father’s enterprise, which he had to lead in the future. For three years, the boy studied at the gymnasium at the Institute of Oriental Languages, which subsequently successfully graduated from the year, after which he asked his parents to take him home.

The production of the Alekseevsky circle in the period from the years was carried out at the initiative of young Constantine. He was an ideological inspirer, relative and one of the actors of amateur performances. In his youth, having graduated from the Lazarevsky Institute, Alekseev began serving at his father’s factory, holding the position of director. In the afternoon, he was engaged in business, and paid a lot of attention to the technical side of the issue, he went abroad, studied the possibilities of developing production and introduced progressive technologies at the family enterprise, but did not leave thoughts about the theater.

The theater and books in the year of Stanislavsky with Fedor Komissarzhevsky and Fedor Sologub organized the Moscow Society of Arts and Literature, the charter of which the innovator personally developed. Over the 10 years of the company, Konstantin Sergeyevich created many bright characters, participating in the performances “Bitter Fate”, “Unprotant” and others. His acting talent was recognized by the public and prominent critics.

Many archival photos have been preserved, capturing the Creator in different images. Since the year, the work of the young manufacturer in myil has already been not only in personal participation in the productions - he took over the leadership of directing. The need for a transformation to the approach to the production process, acting, and the role of the director was felt not only by Konstantin Sergeyevich, but also by other progressive and creative people of that time.

In particular, Vladimir Nemirovich-Danchenko, who became interested in the works of Stanislavsky, his ideas. Konstantin Stanislavsky - the work and fate of the most “incredulous” director in the year, a sign meeting of two future masters took place. Within 18 hours, the founders of the classic theater school discussed the project of the creation of the Moscow Art Theater.

In the memoirs of Stanislavsky noted that in this brainchild, along with Nemirovich-Danchenko, they protested “against the old manner of the game, and against false pathos, recitation, and against acting play” and other realities of the outdated classical theater. Subsequently, the Seagull's silhouette became the symbol of the theater and remains it to this day, and with Anton Pavlovich, Stanislavsky began friendly relations based on a joint creative process.

Konstantin Sergeyevich devoted a lot of time to raising young actors, theoretical and practical development of his own system, according to which the artist must completely get used to the role, and not depict other people's experiences, while trying to convey the main thoughts of the play to the viewer. Then the famous expression “I do not believe!

Under Stanislavsky, the attitude to the directorial activity has changed. If earlier the director of the play was perceived only as a person who shifts the text of the playwright to the stage format, now he has become one of the central figures of the creative process, he could interpret the work in his own way, arrange accents. In the year, at the Moscow Art Theater, the first studio opened, where Stanislavsky taught students acting.

After 6 years, Konstantin Sergeyevich created an opera studio at the Bolshoi Theater.Then the theater theorist began to write the first of the copyright books - "My life in art." In m, under the leadership of the innovator, the opera-drama studio is now “Stanislavsky Electroater”. Despite the dramatic changes in the country and society, as well as the social position and origin of the director, among the Soviet regime, the activities of Stanislavsky found the hottest support and approval.

Joseph Stalin himself has repeatedly visited the performances of the Moscow Art Theater, which by that time received the status of academic, comparing in rank with large and small theaters. Personal life Konstantin Sergeyevich was married once - at Maria Petrovna Lilina, a stage pseudonym, nee Perevshchikova.

The couple remained together until the death of Stanislavsky. The spouses had three children. Ksenia's daughter died of pneumonia back in infancy, in the year. The second daughter of Kira Alekseev was the director of the Stanislavsky House-Museum. The third child, son Igor Alekseev, was married to the granddaughter of Leo Tolstoy. The Stanislavsky and the maid family had an illegitimate son, adopted by the father of the director, who received the name Vladimir Sergeyevich Sergeyev and then became a professor at Moscow State University.

After that, doctors categorically forbade Stanislavsky to perform on stage, and he surrendered to directorial and pedagogical activity. In the year, already posthumously, his book “The Actor's Work on Himself” was published. For ten long years, the director fought with the disease and created, overcoming pain. Konstantin Sergeyevich died on August 7.

The cause of death, according to the conclusion of doctors, was multiple arteriosclerotic transformations in the vessels.