Film Script Biography

Two types of scripts can be distinguished: the original is based on your own idea of ​​the screenwriter, director or producer. The adapted is based on a story that has already been told in a different form - for example, books, plays, a show, a previously shot film. Most often, adapted scenarios are written on the basis of Bestseller books. It is unlikely that this option is suitable for a novice screenwriter, since the rights to adapt to adaptation must be bought.

There is also a director's script - this is a document where the technical nuances important for filming are spelled out. For example, the location of the cameras, the color design of the scene, the movement and reaction of the actors, and so on. The idea may appear from anywhere - a random thought, observation on the street ... For example, the screenwriter and director of the film “Three Billboards on the Border of Ebbing, Missouri” Martin McDon was inspired by a real billboard with an inscription of an unsuccessful crime.

Logolic is a description of the plot and the main conflict of the film in 1-3 sentences. He answers the question: “What is this movie about? You can spend more than one month on this. But this is a good way to test the idea: a weak and blurry plan is hard to transfer to Logolin. Sinopsis is a free presentation of the concept of the script, a summary of the film.

In it, in general terms, a tie, rotary points, climax and denouement are spelled out. The phasedic is a fish of the future scenario. The sequence of scenes, sometimes with fragments of dialogs. At this stage, many scriptwriters use cards on which they record the content of scenes. They can be laid out and changed in places until an understanding of the structure of history develops.

Actually, the script ready for production. Contains descriptions, remarks and dialogs. You can skip all the stages and write a ready -made script overnight. But, as a rule, work on the project includes all of the above. First, the author comes up with Logolin, writes the synopsis, then paints the structure and sketches dialogs, then on the basis of all this writes the script.

See also: The script structure The genre scenario usually has a classic three -chip structure.

First Act: Tin. The viewer is introduced to the main character and his familiar world, which at the end of the act must be destroyed. For example, in the Avatar, the former marine Jake Sally was chained to a wheelchair. This is his usual world. However, soon Jake goes to the planet Pandora, where he gets an avatar - a separate body into which consciousness is transferred.

The hero has a challenge - to rub in confidence in the natives. Second act: Confrontation. The hero has a goal, for the sake of achieving it, he leaves the usual world and goes on a “journey”. On the way, he faces obstacles and resolves conflicts. Conflicts can be external and internal, but must necessarily increase as the plot develops. The second act usually contains one or more turning points where the course of events changes, and the hero has to make an important decision.

The third act: climax and denouement. The hero reaches the apogee in confrontation with external and internal opponents. Here, a climax occurs - the highest dramatic point: the final battle, the most difficult choice, death or salvation. After the climax, a denouement occurs - all conflicts are resolved. Also in the final there may be a hint of continuing history. Shot: The film "Avatar" of course, the screenwriter can change the plot elements in places: for example, start a film from the final.

Examples of non -linear plots are “criminal reading” and “fighting club”. There are no clear laws in arthouse films. But a good genre history and non -jeanrova will always be the beginning, the middle and the end. What will help write the script of a film or series to write a script - how to collect a puzzle. There are separate pieces in the head, which gradually fold in a whole picture.

And it will turn out only if you write. Let this sometimes resemble wandering in the fog. Here's what it is worth doing to everyone who is planning to write a script: read scripts. Many famous screenwriters consider reading scenario textbooks not very useful, and sometimes harmful activities. Another thing is to read good scenarios. This is a great school.

Moreover, now they are easy to find on the Internet. Consider references. It is useful to watch films that are similar to the one you planned to write and, of course, read their scripts. So you can protect yourself from stamps and hackneyed techniques - and, conversely, notice successful plot moves, principles and intonation. It is easy to find references: it is enough to write in the search “Films Oh ...

IMDB” for example, “On family conflicts”, “O strong women”, “On travel travel” and so on. It is better to write a request in English. Study the texture. Beginning screenwriters are advised to write about what they are versed in. But it happens that you need to study an unknown topic. For example, what evidence can be at the crime scene. Such a study is an obligatory part of the scenario work.

You can look for information on the Internet or talk to a specialist. Make a scenario recording. Unlike prose, the script is a document that is written according to certain rules. To understand them, it is enough to read a couple of scenarios.Receive feedback. Cooking in your own juice is harmful to the screenwriter. It may happen that a person will spend months and years on a “brilliant idea” that no one will understand.

This helps to look at the story in a new way and finalize it. Get feedback on Logolin, synopsis, poizy or finished script - what you should strive for. IMDB is an aggregator of cinema information, English -speaking Kinopoisk.