Rosario Wullo Biography

Posted on February 5, byregiardini, there are no talented people. Each of us is talented in his own way. Each in his own business, in the chosen life of the path, shows a certain share of creativity and internal potential, be it ordinary household chores or large -scale creative professions. But there are people whose internal potential is so great and endless that their life loses its meaning without the implementation of global projects.

No, they are no better than the rest, they are just so created: without endless joy to create with your own hands, without the realization of ideas, as if the usual course of life for them to become dull and boring. In each project, in every thought and ideas there is something that does not leave the heart indifferent, which makes you fill your life with the opportunity to realize this.

As if to share this, tell everyone another about the miracle that was born in the soul, like a child. And this miracle is sometimes the same moody and equally unbearable, but the soul and heart are reverently loved by something special, fragile and hands patiently and hard to give this masterpiece a noble look. Here, on this page, we will introduce you to such people.

The person from whom we will begin the story, which I would like to narrate first is the famous sculptor Monumentist Rosario Wullo well -known sculptor in Italy.

The grace of lines, harmonious proportions, plots touching the depths of the soul, a sophisticated vision, it would seem ordinary things all this is characteristic of Rosario's works. When you consider the creations of his hands, you involuntarily experience a desire to touch textures and forms with your fingers, following the artist’s thought. Now Rosario Wullo is on the verge of new creative capabilities and discoveries: he begins to reveal his rich creative potential for the Russian audience.

His plans to create his own projects here in Russia. The restless soul of the artist demands to know himself in other circumstances and enrich the world of his discoveries with new victories. The victories of the artist over grayness and non -retention. It is amazing with what accuracy he knows how to convey spirit and vital breathing on his creations, with what delicacy the spiritual meaning puts it.

When I saw his first works on Russian land, I was amazed at how this artist, born in another corner of our planet, on another earth, with other cultural traditions managed to convey the Russian spirit to his works. This is what they write about him in the press on his native land. Rosario Vullo bright, sunny, spring day, Rosario Wullo meets me in his studio and enthusiastically talks about his work.

Rosario Wullo always works with great inspiration. Projects of statues, bronze gates, monuments, commemorative medals, etc. I know it for many years, and each time he manages to hit me. In a huge room where it smells of plasticine, his creations and future layouts are a background for such stories. Each detail of its statues is made with particular care, with almost manic attentiveness.

Marble, clay, gypsum, stone, bronze, ceramics, granite, papier-mache-any technique is possible. First of all, I note in his work of the sculptor that Wullo devotes a lot of time to preparation and research. There is no place for thoughtless projects, everything is well studied and understandable. He creates his creations gradually, pondering every detail, because creativity cannot be squeezed into the time frame.

Undoubtedly, this is a classic sculptor, but in his very deep “I” you can see an internal confrontation between what he does to order where everything should be canonical and what he does for himself. Nevertheless, traces of the inner rebellion are visible in this anachronous classic, which pulsates from the inside. Even the most traditional of his bronze or marble statues, in fact, carries details born of an unconscious desire to get away from banality.

Yes, classic, but still in moderation. The list of his images includes lions, mythological figures, horses, holy families, but each of them has a small trace that connects them with our time - a vision of life. It is found that classic statues have “feelings” that connect them with our century, with all the anxieties and unrest, which mean to be a person. The ballerinas, with which he gave muscular bodies, dance on thin pedestals, quiet and breathing love, including physically, the Madonna take sunbathing and play with little Jesus or hug St.

Giuseppe, the cardinals look at the audience with a satisfied and sometimes even with a mocking smile. However, where Rosario Wullo reveals as much as possible is in the creation of large figures. First of all, there is nothing accidental. Each feature of the character is analyzed and has its own explanation. The canonical image for an attentive eye is approximately and a statue enriched with deep symbols, thereby becoming an object for others study.This is a deep and fiery passion for Rosario Wullo, which arose years ago, instinctively brought him to the State Institute of Art, where he received a diploma of art masters and further at the Department of Sculpture at the Academy of Sciences, Literature and Extraordinary Arts in Palermo.

What used to be his passion became his work. Work that is filled daily with new incentives and projects in which classicism and modernity get along. In Rosario Wullo, a capacious and restrained, the shape and internal content play a long batch, and only time will tell us who will break forward. Or they will go together with one road - dear art. Isola-DELLE-FEMINI, May 21 Winnie Skonson.