Mayakovo biography is the best


St. Petersburg 2nd Krasnoarmeyskaya St. At the beginning of the twentieth century, he wrote scripts, shot cinema and played in it. The poetic gift was not immediately manifested, many samples of the pen were irrevocably destroyed by himself. The first printed poem “Night” appeared in the year in the futuristic collection “The slap in the face of social taste”. In the same period, the legendary first public performance of the poet in a “wandering dog” took place.

Mayakovo biography is the best

Mayakovsky forever remained in the memory of the descendants of the genius of poetic art. In total, they had five children, but two sons - Kostya and Sasha - died at an early age. Volodya grew up with senior sisters - Luda and Olya. Along the line of his father, Vladimir Konstantinovich, who worked as a forester, the family had noble roots, but was impoverished. On the line of mother, Alexandra Alekseevna, in the family there were Kuban Cossacks.

The poet himself said: "Father was a Cossack, mother was a Ukrainian." Talking about his own childhood in the book “I myself”, Mayakovsky recalled: seven years old. My father began to take me into the riding of the forestry. It was faced with fog. Even the father is not visible. The path is Uztei. Father, obviously, pulled the rosehip branch with his sleeve. A branch on a scale spikes in my cheeks.

Slowing slightly, I pull out the thorns. Both fog and pain disappeared immediately. In the part of the fog under the feet - brighter than the sky. This is electricity. The Klovka Plant Prince Nakashidze. After electricity, he completely quit interested in nature. Unrelevant thing. Mom taught and all sorts of sisters. Arithmetic seemed implausible. We have to calculate apples and pears distributed to the boys.

They always gave me, and I always gave it without an expense. In the Caucasus, as much fruit fruit. I learned to read with pleasure. The first book that little Volodya read was called the "Poultryman Agafya", which almost repelled the hunt for further reading. Fortunately, he read the second book about the Don Quixote literally to the holes and even made himself a wooden sword and armor, fought weeds.

Soon the family moved to Kutaisi, where the boy entered the gymnasium and studied for the first two years for one five, counting on Jules Verne. In the future, he abandoned his studies - revolutionary unrest began in the Caucasus, and Mayakovsky began to read the proclamations of the underground, participated in rallies. He was 13 years old, when his father died of blood poisoning: sewing up papers, pricked a needle.

Struck by grief, a teenager disobeyed needles and pins for life. After the funeral, the mother had three rubles. Having sold the furniture, she went to Moscow with her children. Poverty went on the heels: to somehow earn money, Volodya was engaged in burning and drawing. I especially tried to Easter - I handed over painted eggs on kopecks to a handicraft store on Neglinnaya. From the gymnasium of Mayakovsky he was excluded for non -payment of the year.

Then he was first arrested and released as a young. The second “Sidka” was also short-lived, but for the third time Mayakovsky was put in Butyrki, where he served 11 months in a solitary chamber for participating in the organization of the escape of Katorzhanki from the Novinsk prison. Vladimir himself called these months the most important time for himself: he read a lot of both classics and his contemporaries.

He wrote poetry, in his opinion, so bad that he was even delighted when the notebook was taken away. Having left the imprisonment and from the RSDLP, the young man decided that the poet would not work out, so he should become an artist. He studied with Stanislav Zhukovsky and Peter Kelin, then entered the school of painting, sculpture and architecture. It was there that his fateful meeting with David Burliuk took place.

Once, having met at Sergei Rakhmaninov’s performance, both fled from the concert and walked for a long time in the night Moscow. Mayakovsky dared to read his freshest poem to his friend, and Burliuk enthusiastically called him a genius, advising to write and write without stopping. Later, he represented all Vladimir only as a brilliant and famous poet, although he had not yet written anything.

But inspired by the attitude of Burliuk towards himself, Mayakovsky went with his head in poems. He also growled at me, moving away: “Now write. And then you put me in a stupid position. ” I had to write. I wrote the first first professional, printed - “crimson and white” and others. I think about David with always love. Great friend. My real teacher. Burliuk made me a poet.

I read me French and Germans. He sat down books. He walked and spoke endlessly. I did not let go a single step. I gave out 50 kopecks daily. To write without starving. Mayakovsky’s work in this stormy period Vladimir not only wrote enthusiastically, but also met interesting people, found like -minded people. So, in the year, along with Burliuk, Khlebnikov and the twisted, he invented and released the futuristic almanac “slap in the face of social taste”, which included his poem “Night”.

Soon his independent collection “I” was published, Vladimir was invited to perform in a “vagabond dog”, where artists gathered. On the eve of the First World War, Mayakovsky with a group of futurists went with touring cities of the Russian Empire.He set this tragedy in the theater and played the protagonist, discovering a remarkable acting and directorial talents. When the war began, Vladimir tried to sign up with a volunteer, but he was not taken due to "political unreliability." He entered the Lubok circle, where, together with its members, he made patriotic cards to support the morale of the soldiers at the front.

In the association, he met Casimir Malevich, who designed a new production of the play of Mayakovsky “Mystery-Buff”. The performance at the Theater of Musical Drama was staged by Vsevolod Meyerhold, and Mayakovsky was the second director. Remembering cooperation with him, Vsevolod Emilievich emphasized: Mayakovsky showed himself in joint work with me not only a wonderful playwright, but also a wonderful director.

No matter how many years I have set the play, I never allowed myself such a luxury as to allow the playwright to joint directorial work. I always tried to reject the author at the time when I put his play as far as possible from the theater, because the playwright always interferes with personal intervention in the work as a gravier director-artist.

I not only allowed Mayakovsky, but simply could not even start working for a play without it. So it was with the “Buff mystery”, so it was with the “cloud”, so it was with the “bath”. I could not start work until Mayakovsky himself brewed it. When I happened to start work myself, then I always, starting, ran to the phone, called him and asked him to come immediately.

Mayakovsky always attended my theater at all the first rehearsals. Mayakovsky, among other poets and artists, issued campaign and satirical posters on a variety of topics. Then the first collected works of the poet were published, where he included everything written in ten years. Three years later, Vladimir headed the literary association “Left Front of Arts” later the name replaced the “Revolutionary Front of Arts”.

Mayakovsky himself, in the period, wrote the poems “Millions”, “About this”, “Vladimir Ilyich Lenin”. Reading the latter from the scene of the Bolshoi Theater, the poet was awarded twenty -minute applause, including the applause of Joseph Stalin. More than once, a Soviet citizen with Red Passport visited foreign countries, and in the year he made his longest trip to the United States.

The poem “Good! The townsfolk saw in them a satire on bureaucracy, statesmen saw criticism of the Soviet system, although the poet was one of the first to recognize the revolution and the power of the Bolsheviks and by that time was considered the main Soviet poet. Vladimir Vladimirovich felt cooling by the authorities when he was first rejected traveling abroad. And in all, he began to worry more when none of the official representatives came to his exhibition “20 years of work”, which opened on February 1, on February 1.

The poetess Olga Bergholz wrote in one of the preface: I will never forget, like in the Press House at the Vladimir Vladimirovich’s exhibition “Twenty years of work”, which for some reason almost boycotted “big” writers, we, several shift people, were on duty near the stands, physically suffering from how sad and strict face he walked through the expensive halls, high high, high high, high The man, laying his hands behind his back, walked back and forth, as if expecting someone very expensive and more and more convinced that this dear person would not come.

It was the summer of a year, and Vladimir came with his sister Lily Elsa Triola directly from Finland to them for an apartment in Petrograd. A short romance with Elsa ended almost immediately, as soon as the hostess praised Mayakovsky’s poem “Cloud in Pants”. Together with her husband-entrepreneur, Brik published a poem with a small circulation, and the poet slowly began to introduce Lily and Osip with his friends.

The enterprising couple soon founded a bohemian salon in her apartment for people of art.